Lookbook No. 08

After dark

Berlin, 20:47–23:16. Photographed between the last office lights and the first train home.

Model wearing a sculptural black hat and monochrome evening look Model in a deep red jacket photographed inside a mirrored architectural space Close view of fluid white tailoring moving across a dark runway

No. 08 in motion

Model in a deep red jacket photographed inside a mirrored architectural space Monochrome editorial portrait of a model in a structured grey coat Model wearing a sculptural black hat and monochrome evening look Model wearing a long black dress against a weathered stone wall Model in precise black tailoring photographed against a neutral studio backdrop Close view of fluid white tailoring moving across a dark runway
Cutter working over dark cloth on a long table inside a bright atelier

The city off duty

We photographed No. 08 on a cold evening without closing streets or building a set. The collection moved through the same doorways, platforms, and pools of light that shaped it in the studio.

The clothes are formal without waiting for an occasion. A coat crosses the city. Silk sits under wool. Tailoring loosens when the night does.

Three key looks

Monochrome editorial portrait of a model in a structured grey coat

Look 01 — The long line

Orbit Coat, Night Shirt, and Frame Trouser in ink.

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Model in precise black tailoring photographed against a neutral studio backdrop

Look 04 — Fold and fall

Fold Jacket in natural charcoal over the Column Dress in oxblood.

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Model wearing a long black dress against a weathered stone wall

Look 07 — Last light

Column Dress in pearl with the Line Skirt worn open as an evening layer.

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Campaign credits

We worked with the light that was already there. The clothes changed as the street changed, which felt more truthful than holding them in one perfect frame.
Iris Hahn Photography
The collection began with movement after dark: a coat opening on a stair, silk under a station light, a shoulder caught in profile.
Mara Vey Creative direction
Nothing was added only for the photograph. Every layer had to make sense on the body for the rest of the night.
Nao Berens Styling